Today ladies and gentlemen, I would like to present you a series of books (writing books) that could be useful for your needs in character creation.
The What(s)?
- The Emotion Thesaurus (I will speak more in dephts of this one as it is the one I actually have)
- The Negative Traits Thesaurus (I have read different extracts)
- The Positive Traits Thesaurus (I have read different extracts)
- Emotion Amplifiers (free) (I have this one too)
Available on kindle and as a good old book. All can be found on Amazon and (I think) Barnes & Noble.
1- 164 pages
2- 264 pages
3- 252 pages
4- 72 pages (kindle only)
Also now available on the website One Stop for Writers (subscription needed to see everything though).
The Whos?Angela Ackerman & Becca Puglisi
On to why I do recommend this (these) book (s). I'll go with description and uses before ending with what I think about it personally.
The Emotions ThesaurusThe Emotions Thesaurus have 75 emotions into which it dives (One Stop for Writers have 5-6 more?). Each emotion is separated into seven parts: definition, physical signals, internal sensations, mental responses, cues of acute or long-term [insert emotion], may escalate to (names a few other emotion this emotion can transform into), cues of suppressed [insert emotion] and finally, writer's tip (again, the site seems to have some added things).
The authors also give their own opinions about emotions and how they should be dealt with, tips on how to avoid clichés, how to show instead of telling and many more.
- Introduction
- Writing non-verbal emotions: avoiding common problems
- Using the emotions thesaurus
Emotions treated in this book are:
- This is a long list.:
- Adoration
- Agitation
- Amazement
- Amusement
- Anger
- Anguish
- Annoyance
- Anticipation
- Anxiety
- Confidence
- Conflicted
- Confusion
- Contempt
- Curiosity
- Defeat
- Defensiveness
- Denial
- Depression
- Desire
- Desperation
- Determination
- Disappointment
- Disbelief
- Disgust
- Doubt
- Dread
- Eagerness
- Elation
- Embarrassment
- Envy
- Excitement
- Fear
- Frustration
- Gratitude
- Guilt
- Happiness
- Hatred
- Hopefulness
- Humiliation
- Hurt
- Impatience
- Indifference
- Insecurity
- Irritation
- Jealousy
- Loneliness
- Love
- Nervousness
- Nostalgia
- Overwhelmed
- Paranoia
- Peacefulness
- Pride
- Rage
- Regret
- Relief
- Reluctance
- Remorse
- Resentment
- Resignation
- Sadness
- Satisfaction
- Scorn
- Shame
- Skepticism
- Smugness
- Somberness
- Surprise/Shock
- Suspicion
- Sympathy
- Terror
- Uncertainty
- Uneasy
- Wariness
- Worry
How can I use this thesaurus and why should I?To be honest, if this is not something that can help you in your writing, you shouldn't. The why you should is a question only you can answer. Do you like to plan? Do you like to have an idea how your character react? Do you want to go inside of their head a little bit deeper? I'm not saying you should, I'm saying you could.
How then? And what can it do to help me?Take a character and force yourself to decide which are the main emotions that drive your character. Is your character driven by anger? love? fear? resent? How do they express those emotions? Physically? Mentally? Do they repress them? Are they intense? What's their attitude in face of despair? curiosity? Are they expressive or not?
The nice thing about this book is that if you choose to work with it, you have to choose which emotions take the most place in their heart, it forces you to flesh them out (or you can totally go crazy and work on how the character would react to every single existing emotion, have fun with that).
Here's an example:
- Oberon (summarized) wrote:
- Main Emotions (see spoiler): Guilt, Indifference, Curiosity
Secondary Emotions: Love
In this, the exercise is to find which suggestions of each category fit with your character. One character won't do everything that's written in their bank and so from Guilt, Indifference, Curiosity and Love, I only took what corresponded with the example character below. Also, not every category have suggestions that fit and thus aren't necessary to add.
- Oberon's "show don't tell" profile:
Guilt (page 82)Physical signals:
- averting or lowering one's gaze
- turning away
- avoiding a person or place
- becoming unnaturally quiet or still
- taking a deep, pained breath and closing the eyes
- palms hidden (
into pockets or behind the back)
- inflicting pain on oneself as a penance (NEK: in Oberon's case this would show in how he barely cares for his safety on missions)
- lookng pale, having a harried or haunted look
Internal sensations:
- pain in the back of the throat
- thickness in the throat
Mental responses:
- replaying what happened, anxiety
- thoughts filled with self-loathing
- brooding, retreating inward, withdrawing from others
- an inability to concentrate on anything else
Cues of acute/long-term guilt:
- insomnia
- exhaustion
- nightmares
- growing reclusive, cutting oneself off from others
- self-loathing
May escalate into:
- conflicted, regret, shame, remorse
Cues of repressed guilt:
- becoming excessively resourceful or helpful to make up for earlier failure.
Indifference (page 96)
Physical signals:
- a slow, steady gait (which is translated into a slow floating)
- staring blankly, emotionlessly
- smiling politely, not genuinely
- closing one's eyes to shut everything out
- being non-responsive during a group discussion or debate
- speaking only when spoken to
- relaxed posture
Mental responses:
- zoning or tuning others out to concentrate on other things
- wandering thoughts
Cues of acute or long-term indifference:
Cues of suppressed indifference:
- asking a few token questions
Curiosity (page 40)
Physical signals:
- tilting the head to the side
- raised eyebrows
- pausing to examine
- shifting from casual conversation to pointed questions
- a softened voice or tone that may contain wonder
- asking questions
- a still demeanor to aid in observation
- nodding slowly
Mental responses:
- a need to know, touch or understand
- a compulsion to detour toward something new
- a desire to investigate or experiment
- increased awareness of sensory information
- wonder or interest at how something works or why it's here
Love (page 106)
Physical signals:
- strong eye contact, very little blinking
- using terms of endearment
- affectionate touches
- offering gifts of time, value or thoughtfulness
Internal sensations:
- a fluttering in the stomach (or wings in his case but same same)
Mental responses:
- mental distraction
- losing awareness of surroundings when love interest is near
- a feeling of possessiveness, jealousy
- feeling safe and whole when together
Cues of suppressed love:
- standing close yet not touching
- darting glances
- watching from a safe distance
This book can also help for roleplay purpose as strange as it sounds perhaps. Also as on-the-spot questions about how your character would react.
Example: You are roleplaying with someone and suddenly your character has to express his rage. How do they do that? Do they yell? Shake? Cry?
- Here's the entire entry for rage just so you know what it looks like:
- The Emotion Thesaurus wrote:
- RAGE
DEFINITION: violent and uncontrolled anger
PHYSICAL SIGNALS:
Flushed or mottled skin
Shaking extremities
Hands that clench and unclench
Wide eyes, showing the whites
Spittle building up in the corners of the mouth
Biting criticism and belittlement
Jabbing a finger in someone's face
A corded neck
Nostrils flaring
Lips pulling back, baring the teeth
Cracking the neck from side to side for intimidation
Muscles and veins straining against skin
A guttural roar
Planting the feet wide apart
Sudden explosions over seemingly little things
Pushing and shoving
Limbering up shoulders and neck as if readying to fight
Squeezing someone's arm to the point of brusing
Using insults to pick a fight
Cracking one's knuckles to intimidate
Pulling out a weapon (knife)
Finding something close to hand to use as a weapon (branch, rock)
Moving slowly and deliberately toward another person to intimidate
Barreling toward someone, utterng a scream or war cry
Fighting with not thought for one's own safety
Throwing or kicking things
Jumping to extreme anger with little provocation
Screaming
Threatening Violence
Uttering death threats: I'll kill you!
Staring someone down to frighten them
Getting into someone's personal space
Manipulation
INTERNAL SENSATIONS
A pounding in the ears
ncreased blood flow to the extremeties
Elevated Pulse
Clouded vision
A dry throat from rushed breathing
Pain that is suspended until later
Adrenaline rushing through the body
An edgy, twitchy feeling
Tunnel vision or flashes in vision
MENTAL RESPONSES:
Being driven by the belief that one has been mistreated or done wrong
A desire for vengeance
Looking for a fight
Wanting to hurt someone, to see blood
A sense of release when violence is expressed
Not thinking or caring about consequences
A need to dominate or control
Difficulty focusing or concentrating
CUES OF ACUTE OR LONG-TERM RAGE
Beating someone senseless
Committing assault or murder
Seeking out opportunities to react violently
Self-destructive addictions
Depression
Heart disease, stroke
Ulcers
An inability to cope with smaller problems over time
Insomnia
Fatigue
Destroying property
MAY ESCALATE TO: PARANOIA, REGRET
CUES OF SUPPRESSED RAGE:
Unnatural silence
Uncontrollable body tremors
Punching a wall or object instead of a person
Clenched, grinding teeth
Pain in the jaw from clenched teeth
A tight smile that doesn't reach the eyes
Grabbing onto something secure (like a steering wheel) and shaking it violently
Punching or ripping apart something soft
Aggressive workoouts
If we take
Prince Diamond as an example now:
He would give out
Biting criticism and belittlement, Staring someone down to frighten them, Getting into someone's personal space, Manipulation (Physical Signals) over
Spittle building up in the corners of the mouth, Fighting with no thought for one's own safety, A guttural roar (Physical Signals).
He would have a
Need to dominate or control (Mental Reponses) instead of a
Difficulty focusing or concentrating (Mental Responses).
So the point is to choose what correspond to the moment the character is just living. While roleplaying the Thesaurus is something that can be consulted at any time. It doesn't have to serve only for the early planning.
- This book can be a cool exercise to get to know your characters, whether you use what's in it in a story or not. At least you know if your character is more: crossing arms or clenching teeth or even both!
- The authors also provide with some gracious tips that you are free to follow or not.
- The Emotion Thesaurus wrote:
- Page 15: Writer's Tip - Body cues should create a strong mental picture. If the movement is too drawn out or complicated, the emotional meaning behind the gesture may be lost.
Page 97: Writer's Tip - To create a fluid, emotional arc in your story, make sure your character's feelings build in intensity and complexity as the novel progresses.
Emotions AmplifiersThis books functions as an extension of the Emotion Thesaurus. Listed in it are Addiction, Attraction, Boredom, Cold, Dehydration, Distraction, Exhaustion, Heat, Hunger, Illness, Inebriation, Lethargy, Pain, Relaxation and Stress.
Negative Traits ThesaurusI do not own this book, but there is a sample of it in the Emotions Amplifiers. As this ebook is free, I can only suggest you take a look at it. But this Thesaurus will take a flaw and relate which flaws would be similar, its possible causes, the associated behaviors and attitudes, the associated thoughts and emotions, the positive aspects and more.
Positive Traits ThesaurusSee above but with positive traits instead.
ConclusionI actually really love this series and I recommend them. I also recommend reading those while having your own views on the matter. You don't have to agree with everything they say to make of it a very useful tool for your writing. They target clichés a lot, but it's your choice in the end whether you want to work with them or not.